“The enemy cannot attack what they cannot find.”
–Pyanni saying
Photo credit: Mark Dollner
Arana set the witcher wheel beside the crossroads. Her other eye examined the nahjans placed around it. She chanted, touching each corner in turn, weaving them together.
Arana painted the scene in her mind, like a treasured memory, no detail too small. Finally, she cast the directions: north, east, south, west, earthward, skyward. The spell rained up, blanketing the village in her vision.
The band of drovers clanked into view. Closer, they smelled of smoke, stale sweat, dried blood. Arana held her breath as they stomped within arms’ reach — seeing only trees, hearing only birds — and were gone.
Word count: 100. Written for this week’s Friday Fictioneers challenge. Thanks as always to Rochelle Wisoff-Fields for hosting. The original prompt photo is below — very cool image, but your guess about what the statue is of is is as good as mine.
Photo © Jennifer Pendergast
Historical Eneana note: The drovers were gangs of disaffected soldiers who had survived and supposedly won the War of the Tandonni — driving off the hated magruk invaders — only to find that the war had devastated the Pyanni Empire and they had no homes to return to. They roamed what was left of the countryside, looting and pillaging and generally making it harder for anyone trying to save the empire and rebuild civilization.
A useful spell to have! Nice one 🙂
LikeLiked by 1 person
It’s a good one, yes — when it works, that is! Thanks for reading, Ali!
LikeLiked by 1 person
I loved the smell of the drovers. We so often forget to write the sense of smell
LikeLiked by 2 people
I hadn’t thought of that, but you’re right, Neil. Funny, that so often I have to remind myself to include smell, and this time I did it without thinking. Thanks for the great comment!
LikeLike
Oh, Joy, how I love this. Too see her cast the spell, from ingredients to gestures, and then see the result. It feels so real–her visualization of the intent, the seamlessness of her casting. And your background note makes the entire reading experience even yummier.
LikeLiked by 1 person
I’m glad you enjoyed it. Thanks so much for the thoughtful comment!
I started with a much longer version of how she casts the spell, but I had to cut it for length reasons. For instance, she places packets she has already prepared on each of the four “corners” of the wheel, each with a different herb — for sight, sound, smell, and belief — and these are what she has tied the other-planar nahjans (magic bits) to. I was able to cut without being too disappointed by deciding that I am going to write the longer version into a whole short story, yay! Basically: something she sees in the drover band makes her realize she can’t just hide her village from them: she has to stop them.
LikeLiked by 1 person
Fantastic!
LikeLiked by 2 people
Sense of smell is not considered usually while writing stuff but you did it so well. Great take. 😊
LikeLiked by 1 person
I usually forget to include smell too; it just came to me this time. Thanks so much for stopping by and commenting!
LikeLiked by 1 person
i’m glad the spell worked. i dread of what could have happened if it didn’t.
LikeLiked by 1 person
If the spell hadn’t worked, the village would probably have suffered the same fate as many other villages along this same road. I originally had a line in there about how, while she was casting the spell, the villagers were taking their children and animals off into the woods – knowing that if it failed, it would still not be far enough away.
Thanks for reading!
LikeLiked by 1 person
I can think of a few situations when that spell would come in handy for me LOL. Great story Joy!
LikeLiked by 1 person
Me too! Glad you liked it, thanks for reading!
LikeLiked by 1 person
Dear Joy,
I could see, smell and hear the drovers. I agree with Neil. Smell is important in a novel. You’ve created quite a world. Well done.
Shalom,
Rochelle
LikeLiked by 1 person
Thank you Rochelle, I’m glad that came across! I wanted to convey something about how scary the drovers were without just saying it outright, and the smells combined with clanking scared me, at least. Thanks for reading!
LikeLike
I never thought of the importance of sense of smell until Neil pointed it out… It does give such a lovely layer to the great story!
LikeLiked by 1 person
Thanks Dale, glad it worked for you! Now I feel like I have to include smell in every story from now on, though, uh-oh…
LikeLiked by 1 person
Ha ha! Nah… but maybe I’ll now think of it!
LikeLiked by 1 person
I felt like I was stepping into a whole new world led by the irresistible pull of your words. Beautiful writing, indeed.
LikeLiked by 1 person
I’m glad to hear it; there’s always so much I can’t include, I wonder whether readers will hear even half of what I was thinking. Thanks for the lovely comment!
LikeLiked by 1 person
That’s a good point Neil makes. The story, already rich, was the richer for it.
LikeLiked by 1 person
Thanks Sandra — it’s hard to squeeze much richness into only 100 words, so that’s very nice to hear. 🙂
LikeLike
So much desolation in the story and yet there is hopefulness and protection.
LikeLiked by 1 person
They are definitely going through desolating times, but yes, the village has hope because she can protect them — or at least, hide them. Thanks for reading!
LikeLike
Really engaged the senses.
LikeLiked by 1 person
Thanks, I’m glad you enjoyed it!
LikeLiked by 1 person
Wonderful as always.
LikeLiked by 1 person
Thanks for the nice comment, Tamal!
LikeLiked by 1 person
I love writing smells, which hopefully doesn’t make my writing stink 😉 Seriously, though, your use of smell in this story, has made an already rich piece of writing, still richer. I really liked it.
LikeLiked by 1 person
I, for one, have not noticed your writing stinking! It’s funny how noticeable the smells in this piece turned out to be, when I didn’t even think that much of it at the time. I will have to think more of it next time. Thanks for the great comment!
LikeLiked by 1 person
The descriptions and particularly the smell of the drovers makes this a really rich piece
LikeLiked by 1 person
Thanks Michael, I’m glad it worked for you. Now I’m regretting not putting more smells in other stories; after getting so many comments on this one!
LikeLike
Aaah to have such power!
LikeLiked by 1 person
She works hard at it, but when it succeeds, it’s great! Thanks for commenting, Dawn!
LikeLiked by 1 person
Inventive and smart to hide her village from the attacking warriors. I’m glad it worked.
LikeLiked by 1 person
Well, when you’re not strong enough to fight and you can’t run away (hard for a village to do), hiding is the next-best option. Lucky for them that she’s strong enough to cast such a massive illusion. Thanks for reading, Amanda!
LikeLiked by 1 person
An evocative tale altogether. You have managed to appeal to all of the senses, and created a picture of the invaders that instantly makes us hate them and want them to fail. There’s also the sense of relief at the end when we know that Arana’s spell has worked and the invaders can’t see the village.
LikeLiked by 1 person
Thanks Millie, I’m glad you liked it! I’m hoping to expand this into a full short story as one of my mini-projects for Camp NaNoWriMo next month, and I’m really excited to spend more time with this character.
LikeLike
I can see that the whole concept of what is happening/has happened around this scene could be developed into a much longer story. The characters alone are shouting out to be given a longer rein and (being you) you could develop the background and present setting so well too! Go for it!
LikeLiked by 1 person
The characters are really talking to me — including the ones you haven’t even seen yet, like her husband sitting behind her praying. And I already know so much of the historic background, that part is easy.
LikeLike
I hope you get it finished over Nano and eventually publish it in a book of short stories – if that’s the plan.
LikeLiked by 1 person
I’d better get a lot of stories finished over Camp NaNo — I’ve set a goal of 15,000 words written or edited (I give myself half word credit or less, depending on how much editing I do). Since my stories usually end up in the 1,000-3,000 range, that’s a lot of stories for one month! The plan is to submit them to magazines and ezines and see if I can increase my official-looking publication count. 🙂
LikeLike
Speaking of, I don’t think you got to read my last published one, Millie. I included the first few paragraphs on my blog, but click through to read the whole thing. I’m especially happy with how this one turned out, and I think you’ll like it:
https://talesofeneana.wordpress.com/2016/12/05/icy-oasis/
LikeLiked by 1 person
I love this, I can practically see her cast the spell, and, as others have said, the smell of the drovers is giving the story the extra punch. And since you mentioned cutting down the description of the spell in one of the comments– I find it is very well balanced this way, at least for such a short piece. A longer description would have taken away from the impact. You know what she did, we learn about the mysterious items, but don’t really need to know what she does. That’s part of the magic.
LikeLiked by 1 person
I’m so glad you liked it, thanks for such a thoughtful comment! I think the balance works out fine with the current length — but then, when the description of the spell was longer, the rest was longer too! The only part I really miss is the idea of her going around the wheel in a circle again and again; I’m definitely going to put that in the longer version.
LikeLiked by 1 person
Oh, I’m always great at pointing out what could be left out–until it comes ton my own writing. Then everything needs to stay of course. 😉
LikeLiked by 1 person
Ha ha, yes, of course!
LikeLike